
What draws me in are the details. Everything is intentional. The beads carry identity. The colors speak. The Morans walk with a pride that glows. Their presence, their stance, their adornment—all of it commands attention, as if the land itself dresses them.
The bull wrestling. The throat singing. The way a culture moves through time without bending. It is a world carried on legs from South Sudan, unchanged. To witness it is to feel the past still breathing. To be immersed in it is to be remade.